Sunday, September 12, 2010
Exhibition is up until September 30th!
The reception was very well attended and 10 books were sold. Please contact us if you wish to purchase a book ($65). They are going fast. The exhibit will be at the Sage Cafe, 166 McCaul St. in Toronto, until September 30th and I recommend having lunch there as the food is wonderful.
Monday, August 9, 2010
Exhibition!!!
We are having an exhibition of our original pages at Sage Cafe in Toronto from September 7 to 30, 2010. Please come and buy a book at our reception on Saturday, September 11, from 2 to 4 PM.
Sunday, May 23, 2010
"Mouffetard's Week: An Unfamiliar Garden" Published
Mouffetard's Week has finally been published as a postcard book: hand-bound in a folder type binding with two tiny booklets of introduction and commentary. It retails for $65. Please contact us if you want a copy.
It's a story about Mouffetard who discovers some old letters that change his life. It was written by myself and David Townsend as a kind of creative game, a collaborative creative adventure. The story is 20 sentences long and was written without advance discussion of storyline or any later revision. Some sentences were changed slightly along the way but not once another sentence had been given. Each artist wrote ten lines alternating one sentence at a time. Each of us then interpreted the text in our own way using ink, watercolour, gouache, collaged papers and mixed media.
Friday, February 20, 2009
Sara Norquay's Version
On a sensible day, a week before losing not two but two dozen inhibitions, Mouffetard made a momentous decision.
He opened a cabinet in which was filed thirty years’ correspondence with someone he had never met in the flesh. The first letter brought tears to his eyes. The second left him confusing ecstasy with insight.
The seventh letter inspired him to dig around in his Glory Hole where he found a mysterious object. The discovery called up the scent of roasting chestnuts and the sound of water lapping at an ancient quay.
On the third day, he remembered he’d forgotten to put a coin in his mother’s purse so she would have something to give to Harrison on her afternoon walk. Her resources of improvisation were considerable; but he still felt deep regret at the oversight. His reverie, however, was interrupted by the next letter,
which startled his vocal cords into inarticulate sound. It came from his body; or else from a place in his soul that had little truck with his monkey mind. All it was, was “Ah.” When he failed to make the “ah” again, he made a pot of tea and reread the letter.
“Enough already with the half-baked koans,” he muttered. “I don’t have all century for this.” He went to his father’s desk, took out paper, ink and a bamboo brush, and began to write. Laying down his brush at the end of a page, he tore a leaf from Remembrance of Things Past, and rolled a joint.
“Regret will not bring back what I have lost,” he thought. "But losing my fist might give me back my hand." From the letters came a strange light, and with it, the courage to act. "What dread hand dare seize the fire?" he asked himself - knowing the answer at last.
On the morning of the seventh day, he scooped up the cremated ashes from the kitchen hearth into an envelope and filed them in his father’s cabinet. Shutting the door behind him, he stepped out into an unfamiliar garden, across which his mother’s clothesline still hung.
David Townsend's Version
On a sensible day, a week before losing not two but two dozen inhibitions, Mouffetard made a momentous decision. He opened a cabinet in which was filed thirty years’ correspondence with someone he had never met in the flesh. The first letter brought tears to his eyes. The second left him confusing insight with ecstasy.
The seventh letter inspired him to dig around in his Glory Hole where he found some banknotes in a currency no longer accepted as legal tender. The discovery called up the scent of roasting chestnuts and the sound of water lapping at an ancient quay. On the third day, he remembered he’d forgotten to put a coin in his mother’s purse so she would have something to give to Harrison on her afternoon walk. Her resources of improvisation were considerable; but he still felt deep regret at the oversight.
His reverie, however, was interrupted by the next letter, which startled his vocal cords into inarticulate sound. It came from his body; or else from a place in his soul that had little truck with his monkey mind. All it was, was “Ah.” When he failed to make the “ah” again, he made a pot of tea and reread the letter. “Enough already with the half-baked koans,” he muttered. “I don’t have all century for this.”
He went to his father’s desk, took out paper, ink and a bamboo brush, and began to write. Laying down his brush at the end of a page, he tore a leaf from Remembrance of Things Past, and rolled a joint. “Regret will not bring back what I have lost,” he thought. "But losing my fist might give me back my hand."
From the letters came a strange light, and with it, the courage to act. "What dread hand dare seize the fire?" he asked himself - knowing the answer at last. On the morning of the seventh day, he scooped up the cremated ashes from the kitchen hearth into an envelope and filed them in his father’s cabinet. Shutting the door behind him, he stepped out into an unfamiliar garden, across which his mother’s clothesline still hung.
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